The Father & The Gun

Here's a butt-kicking hardboiled story to kick off the new year. It's about a Catholic priest living in a small Mexican border town who gets involved with a bunch of drug traffickers in a very bad way. His name is Father Gibbons, and this is his story.

In El Concito, a little town near the Mexico/California border, there lived a priest. His name was Father Gibbons.

Father Gibbons lived and preached in a small one-room church situated in the center of El Concito. He slept upstairs in the church attic, with its creaky floorboards and rotting wood. The townspeople thought it strange that a white man had been sent to their town to preach in their language. Regardless, Father Gibbons preached every Wednesday night, Sunday morning, and Sunday night, no matter how many or how few parishioners came to hear his message.

Father Gibbons knew the people of El Concito didn't like him. He could see it in their sideways glances, could hear it in their lowest whispers, could feel it when they shouldered past him. They hated him, not because he was white, but because he preached a message nobody wanted to hear.

El Concito served as a stop for drug traffickers. The cocaine, produced in Mexico, was driven through the desert and up into California, where it was sold for profit. The traffickers always spent a night in El Concito before they traversed the sand to the California border.

One fateful night, a trafficker by the name of Suarez entered the little blue church that served as Father Gibbons' home. Father Gibbons, with the oppressive summer heat and the lack of air conditioning, wasn't in a preaching mood. Suarez asked the priest if he could confess his sins. Father Gibbons stepped into a confessionary, and Suarez took his place on the opposite side.

"Please forgive me, Father, for I have sinned," Suarez began.

"Cut that shit out," Gibbons replied. "When is the shipment crossing the border?"

"Tomorrow. One o' clock. Two at the latest."

"Where?"

"Toward Yuma. Then Winterhaven. It's picked up by another crew from there."

"What's the signal?"

"I'll piss inside my canteen."

"Shit. Seriously?"

"Seriously, amigo. These fuckers don't fool around."

"Fine. My agents will be waiting for you."

"Should I look for them?"

"No, you imbecile," Gibbons snorted. "You look for them and you'll draw unwanted attention to yourself." He sighed. "Have you got that?"

"Got it."

"Good. Now get lost, my son. Find yourself a whore for the night. There's plenty of them in this dump."

Suarez exited the confessionary and walked out of the little blue church. He made his way up to Rita's, the local brothel, and stepped inside. The townspeople gave him a curious glance and wondered if he had confessed sins he'd already planned to commit.

Father Gibbons stood on the front steps of his church and reached for the flask of whiskey he kept in his robes. A loose chicken clucked at him.

"Go with God," Gibbons told the future McNugget, "and all that good shit." He took a slug of his whiskey. Took another. Replaced the flask. He didn't want, or need, to get drunk tonight.

After all, if everything went as planned, tomorrow would be Father Gibbons' last day in El Concito.

***

Father Gibbons woke with a start when he heard a mighty fist slam against the side of the confessionary he was napping in. Gibbons snatched up the wrinkled Playboy he'd been reading before he fell asleep and stuffed it under his robes.

"Father Gibbons!" a voice called from inside the church. The voice sounded angry and carried enough venom to kill a snake.

"Over here, my son," Gibbons replied in his priestly voice. He slid his side of the confessionary open and waved. There were three men, all of them of Mexican origin. One of them, the angry one, stormed over and dropped into the confessionary's seat.

"Well, we meet at last," the angry one said. "Wait a moment. I don't believe we've been properly introduced." He drew a large revolver from his back pocket and cocked the hammer. "My name is Alberto Ricardo Rodriguez." He grinned. The teeth he had left were all yellow. "But you already know that. Right, Agent Gibbons?"

"Do you have something to confess, my son?" Gibbons said. "If you do not, then please leave this--"

Rodriguez fired his revolver. The weapon roared inside the small church and tore a hole through the confessionary, past Father Gibbons, and out through the wall next to him. Lord only knew where the bullet went after that.

"Let's drop the bullshit, shall we?" Rodriguez said with a twitch of his neck. "I heard all about you from your buddy Suarez. You remember Suarez, right?"

Remember Suarez? In Father Gibbons' eyes, using that word when it came to a person was never a good sign.

Rodriguez cocked the hammer on his revolver again. "You're wondering what happened to Suarez. You're wondering what happened to your little squad of D.E.A. agents." Rodriguez snapped his fingers at his closest comrade. "Julio! Bring me the bag!"

Father Gibbons didn't like the looks of this. Rodriguez was a psychopath and had a gun that could blow a hole through the thickest Bible. He was also blocking Gibbons' only escape route.

Julio returned with "the bag," which was nothing more than a leather sack that looked better suited to Indiana Jones than Mexican drug dealers. Rodriguez laid his revolver down, undid the clasp on the bag, and emptied it onto the wooden shelf in the confessionary. What Father Gibbons saw nearly made him throw up--Rodriguez had gathered Suarez's index finger, and those belonging to Gibbons' squad, and lined them up in a neat display of savagery.

"Well, Agent Gibbons?" Rodriguez said with another twitch. "What do you think?"

"I think you're a sick fuck, Rodriguez," Gibbons replied. "I also think I'm going to kill you."

Rodriguez stared at Gibbons through the confessionary's latticework window. Then he burst out laughing.

"You? Kill me?" Rodriguez asked through his tears of laughter. "That's, that's...what's the word you gringos use?"

"Rich?" Gibbons offered dryly.

"Exactly!" Rodriguez roared with laughter. "How do you plan to kill me when you don't even have a gun?!"

"I don't need a gun," Gibbons said. "I've got yours."

Rodriguez searched his side of the confessionary. His revolver had vanished into thin air.

"What--the hell--?" he stammered.

"Adios, amigo," Father Gibbons said. He squeezed the trigger on Rodriguez's revolver and delivered him into the devil's eager hands. The recoil from the gun threw Gibbons against the wall and made him slide to the floor, as Rodriguez recoiled from the confessionary and blasted across the floor, his blood mixing with the dusty sand that coated the ceramic tiles.

Julio and the third bandito knelt alongside Rodriguez's dead body as Father Gibbons kicked the confessionary open and dove for the floor. Julio spun around and drilled the wall with his Uzi, emptying half of his clip into the picture of The Holy Virgin that hung on the wall.

Father Gibbons snaked across the floor, following the path of the wooden pews, as Julio took careful steps down the center aisle, which led up to the pulpit and the baptismal. The third bandito stayed by the entrance and watched for any escapees with his wild eyes and his finger tickling the trigger of his Ruger M-12.

Julio stepped up to the pulpit and stared at the picture of Jesus Christ on the wall behind it. Sunlight was filtering down from the attic windows, and it landed right on the picture, making Jesus look almost life-like. Julio seemed overcome with the Holy Spirit at that moment, took one hand off his Uzi, and crossed himself. He finished up by closing his eyes and whispering a short prayer in Spanish.

Father Gibbons couldn't believe his eyes. He also couldn't believe Julio could possibly be so stupid as to take his hands off his gun. Gibbons lifted the beastly revolver, cocked the hammer, and fired, the bullet tearing a hole through Julio's head and exploding it. Gibbons slid back against the wall and crashed into a clay pot, which shattered on impact, leaving shards of hardened clay in Gibbons' back.

Gibbons looked up in time to see the third guy sobbing and screaming at the top of his lungs. He took his Ruger in both hands and fired it in every direction but Gibbons', destroying the holy place and everything in it. Gibbons crawled to the front pews, trying desperately not to get shot, and ducked out from his cover long enough to pop a bullet in the bandito's right ankle.

The man fell flat on his face, screaming and cursing in Spanish, while his Ruger slid across the floor and stopped next to Gibbons' feet. Father Gibbons stood, keeping both hands on the revolver, and gave the bandito a kick in the groin before he stepped outside.

The sunlight had never felt better. The stickiness of the heat almost felt cool against his skin. The clucking of that chicken almost made him smile.

That's when Father Gibbons noticed the white Ford Pinto pulling up in front of the church. He sat down on the front steps, sat the revolver next to him, and removed his flask of whiskey. As he drank it straight down, a short, spectacled man in a plaid suit and bow tie emerged from the Pinto and combed his thinning hair back.

"Who are you supposed to be?" Father Gibbons asked.

"Father Gibbons," the rotund man replied. "Who are you?"

The priest threw his empty flask at the chicken and limped toward the Pinto.

"Nobody, apparently," the priest managed to say. He pointed to the church. "She's all yours." He climbed into the Pinto's driver's seat, but stopped and waved for the real Father Gibbons' attention.

"Yes, sir?" Gibbons asked. "What is it?"

"Watch that trap door on the first confessionary," the priest said. "It's a killer."

The priest closed the door on the Pinto as Father Gibbons, carrying three suitcases and a laptop bag, found his way to the church. The priest smiled, put the Pinto in drive, and headed for Yuma. Maybe he could get in touch with his D.E.A. contacts and set up another operation there. Maybe he could find a nice church with a nun who had loose morals. Or maybe he'd just get drunk and dance the night away.

The latter sounded like a good idea. 

It sounded like a real good idea.